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BRAHMS VIOLIN CONCERTO D MAJOR - COMPARISION OF PERFORMANCES
Bačovský, Tomáš ; MATOUŠEK, Bohuslav (advisor) ; ČEPICKÝ, Leoš (referee)
The bachelor ́s thesis is focused on music details in Brahms ́s violin concerto D major. The thesis describes differences between chosen
performances and gives information about creation of details.
The thesis is divided into 4 main chapters. The first and the second chapters are about biographies. The first chapter is dedicated to Brahms ́s life in
period of composing the concerto. In the second chapter you can find artist ́s biographies. The third chapter describes musical form of the
concerto. The fourth chapter deals with the main topic of the bachelor ́s thesis – comparing of performances.
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Music in crematoria and tradition of the krematorium Pardubice artistic group
Häckl, Zdeněk ; ŠTRAUS, Ivan (advisor) ; Ježek, Štěpán (referee)
The bachelor thesis deals with music in the crematoria and tradition of the artistic team of the crematorium in Pardubice. The first chapter characterizes the meaning and tradition of funeral ceremonies across history and religious denominations. The second one describes the history of crematoria in Bohemia and Europe. The third chapter is about the architecture of the Pardubice crematorium and the fourth one depicts the beginning of the local musical production and artistic background. The fifth chapter deals with the development of the artistic group in Pardubice, it provides a list of all the musicians who have worked here between 1923 and 2018. The last chapter defines the repertoire of the ensemble and its development.
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EUGÈNE YSAŸE, FRITZ KREISLER: THE GREAT VIOLINISTS AND COMPOSERS
Schäferová, Eva ; ŠTRAUS, Ivan (advisor) ; HŮLA, Pavel (referee)
My thesis focuses on two significant artistic persons of the turn of the 19th and 20th century - Eugene Ysaÿe and Fritz Kreisler. The work represents two important violinists, who were outstanding composers as well. This is confirmed by their works, which notably enriched the violin music literature. The first half of the thesis is dedicated to the Belgian violinist and composer, Eugene Ysaÿe - whose work is an integral part of every violinist's repertoire nowadays - while the other half is dedicated to the life and work of Fritz Kreisler.
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Julia Fischer - a personality and profil of the artist
Chrastilová, Dominika ; ŠTRAUS, Ivan (advisor) ; MATOUŠEK, Bohuslav (referee)
Julia Fischer is today recognised as one of the world's leading interprets.
At her young age she has already performed at all the famous concert halls over the world. She has collaborated with many renowned conductors and excellent musicians.
In addition to her busy concert schedule Fischer's other prioritized occupations became teaching as well as professional solo piano and playing with a string quartet.
Next to her professionaly successful life she manages to be a wife and a mother of two children.
I would like to concentrate in my thesis on the period of her studies but also to all the important additional aspects of her musical career.
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THE GREAT VIOLINISTS OF THE FIRST HALF OF THE 19th CENTURY
Zrostlík, Jan ; ČEPICKÝ, Leoš (advisor) ; MATOUŠEK, Bohuslav (referee)
The thesis is focused on introducing most distinguished personalities of violin playing during the first half of 19th century era, considering their playing style and overall contribution to the violin playing. It introduces individual violinists according which of the foremost violin school of that time they belonged to. That means French-Belgian, German and Italian school. The extra attention is intended for character of Niccolo Paganini as a most original and innovatory personality who enriched especially technical aspects of violin playing. Finally, it briefly introduces several important violinists of the following period who successfully and significantly continued where their violin ancestors had finished.
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Possibilities of physiotherapy in movement disorders violinists
SIEGERTOVÁ, Tereza
Motion disorders of violinists are mainly due to long-term repetitive asymmetric stress while playing the violin at inappropriate motion stereotypes. Also sometimes with the lack of preparation of the body for the performance and a lack of compensatory activities. Playing the violin is challenging for fine motion skills and body posture. Motion disorders are therefore evident in the area of the shoulder girdle and free upper limb, collarbone and neck spin. Disorders can pass through the muscle loops and chains to other parts of the axial organ and the whole organism. The pain occurs as a result of overloading tendons, hypertonia and hypermobility. The first aim of this paper is to determine the principles of the motion disorders of players in the terms of anatomy and kinesiology. The second objective is realization of individual and targeted physiotherapy plan based on the kinesiology examination. Furthermore to determine the possibilities of preventing such disorders. In the theoretical part the basic informations about kinesiology and anatomy of the shoulder girdle and spine are given. The paper is also focused on describing violinists postures, creating stereotypes and subsequent automatism. In treatment the physical therapy, rest and medications are often used. But this is not a permanent solution. Because after treatment the patient returns to the original stereotype motion, which caused the difficulties. Therefore it is necessary to change the stereotype of motions, to find sufficient compensation activities and especially to master the elements of prevention. For this work the qualitative research was used, with two violinists as a study group. As a data collection method were used guided interviews and input and output kinesiology analysis with detection of motion stereotypes of shoulder girdle on electromyography. Therapy of violinists took nine weeks with each and was realized at the Centre for Physiotherapy at the Faculty of Health and Social Studies University of South Bohemia in České Budějovice. The proposed treatment includes treatment of detected reflex changes such as hypertonia, the trigger points, but also the attitudes of selected concepts to change of the motion stereotypes or activation of the deep stabilization system.
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Slovak violin creations and their performers
Nagyová, Natália ; ČEPICKÝ, Leoš (advisor) ; PAZDERA, Jindřich (referee)
This bachelors thesis about Slovak music and this concrete chapter - modern music with special view to the most important composers and their creations for violin. In the second part of the point of view is focused on the best performers of this part of Slovak music. The target was not to create the complete list of composers and performers.
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Bohuslav Martinů as a Composer - violinist
Ochman, Vítězslav ; MATOUŠEK, Bohuslav (advisor) ; PANOCHA, Jiří (referee)
The aim of this paper "BOHUSLAV MARTINŮ - COMPOSER - VIOLINIST" is to explore the violinconcertos and chamber music violin parts, composed by this 20th century genius. His symphonies, operas, chorals and dramatic compositions are merely mentioned. Their list is not complete, as their analysis is not the aim of this paper.
Detailed attention is given to Martinů´s violin compositions, how these relate chronologically to events in his life and correspond with the composer´s biografy. Exploring Martinů´s violin compositions from the composer - violinist's point of view constitutes a rewarding perspective for examining Martinů´s legacy. Purposively chosen works are analysed, with regards to their individual components and samples of scores.
The violin compositions are listed in Chapter 9, subsection 9.1 on Page 130, enabling an easier search of titles.
This work provides a deeper insight into a specific section of the works of Bohuslav Martinů, offering researchers, professional musicians and lay readers alike some important information concerning one part of Martinů´s extensive work.
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